<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>THATcamp Columbus &#187; lizmurphythomas</title>
	<atom:link href="http://thatcampcolumbus.org/author/lizmurphythomas/feed/" rel="self" type="application/rss+xml" />
	<link>http://thatcampcolumbus.org</link>
	<description>The Humanities and Technology Camp in Ohio</description>
	<lastBuildDate>Mon, 05 Apr 2010 18:55:04 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>Social Media, Creativity and Promotion</title>
		<link>http://thatcampcolumbus.org/2010/01/04/social-media-creativity-and-promotion/</link>
		<comments>http://thatcampcolumbus.org/2010/01/04/social-media-creativity-and-promotion/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 17:44:28 +0000</pubDate>
		<dc:creator>lizmurphythomas</dc:creator>
				<category><![CDATA[Sessions and Ideas]]></category>

		<guid isPermaLink="false">http://thatcampcolumbus.org/?p=425</guid>
		<description><![CDATA[Traditional studio art education clearly defines artistic success. Creative efforts are considered validated by achieving gallery representation, receiving critical review and exhibiting artwork in traditional venues such as brick and mortar museums and galleries. But how relevant are these goals for most artists today? These elusive goals have been challenged fundamentally by social media and the [...]]]></description>
			<content:encoded><![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px;font: 12.0px Helvetica">
<p style="margin: 0.0px 0.0px 0.0px 0.0px;font: 12.0px Helvetica">Traditional studio art education clearly defines artistic success. Creative efforts are considered validated by achieving gallery representation, receiving critical review and exhibiting artwork in traditional venues such as brick and mortar museums and galleries. But how relevant are these goals for most artists today?</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px;font: 12.0px Helvetica">
<p style="margin: 0.0px 0.0px 0.0px 0.0px;font: 12.0px Helvetica">
<p style="margin: 0.0px 0.0px 0.0px 0.0px;font: 12.0px Helvetica">These elusive goals have been challenged fundamentally by social media and the Internet. I wish to discuss how social media can be used by artists to promote and distribute their work as well as the converse shift in power this represents. Social media can provide an alternative to these traditional goals, but can it also replace them? How will we define artistic success is the 21st century?</p>
]]></content:encoded>
			<wfw:commentRss>http://thatcampcolumbus.org/2010/01/04/social-media-creativity-and-promotion/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
	</channel>
</rss>
<!-- This Quick Cache file was built for (  thatcampcolumbus.org/author/lizmurphythomas/feed/ ) in 0.19826 seconds, on Feb 6th, 2012 at 6:38 am UTC. -->
<!-- This Quick Cache file will automatically expire ( and be re-built automatically ) on Feb 6th, 2012 at 6:48 am UTC -->
